The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

gif_me_a_break

gif_me_a_break is a web-work consisting of multiple versions of interactive, interlinked abstract and social commentary gif animations resulting in audio-visual noise drones.

GIF

Waxweb

Jacob Maker is a beekeeper who designs flight simulators. One day, the past arrives out of the future, and Jacob enters WAXWEB.

Market-o-matic

Tired of racking your brain trying to squeeze out yet another artist's statement extolling the unique virtues of your latest net.art joint?

No man's land

In her project 'No Men's Land' cym tries to capture something of the rapid changes that are happening to the borders in Central Europe.

The Folksomy project

JODI's ongoing performance project, The Folksomy Project, takes YouTube as source material, with the artists utilizing custom software to select and manipulate user-generated videos from the popula

ascii history of net-art

#0 Works and experiments with moving ASCII , ASCII audio, ASCII camera and such, are all directed towards conversions of contents between one media platform and an other, every time carefully direc

Requiem for a Dream

Requiem for a Dream: this is the website for the movie "Reguiem for a Dream". The site is mocking the screaming imagery of commercial websites.

Copies

"There was this art website called Hell.com that had no public access. In February ’99 Rhizome subscribers received an invitation and password to see the new exhibition.

Cameron’s World

“Cameron’s World,” built by Berlin-based designer Cameron Askin, is a frenetic web-collage created as “a love letter to the internet of old.” Divided into thematic rows of over 700 images Askin sou

Net-art generator

Nowadays, work is placed on a level with duty, compulsion, obedience, conformity, monotony and exploitation, but scarcely with a 'practice of creative enjoyment' of (Negri/Hardt).