The net.art output of a San Francisco based graphic designer using DHTML.

The score for this piece consists of a series of twelve short works for violin and electronics written using algorithmic techniques derived from different mathematical equations in which moments of

// objetos de colección#

„It's a place to bury a hatchet.
Immortalise the ephemeral.
Make a meme memorial.
Mark a mortal thought.
An Obytuary.“

we are always waiting for the big
event that will change our lives forever --
not to make our lives a paradise,
but to give us direction, to find out what

SUBCULTURE.com is an autistic web paradise, full of information but stuck in annoyingly repetitive patterns and pop-up screens that are hard to kill.

Visual Chaos is a short web work that that explores the idea of chaos on the web.

Expunction: memory is there to deceive. Expunction is a project by mobile Internet communicator Igor Štromajer.

A flash animimation by Y0UNG-HAE CHANG HEAVY INDUSTRIES.

The Lair of the Marrow Monkey, one of the first websites to be added to the permanent collection of a major art museum, is an experiment in using a dynamic, abstract interface to communicate memory

Body Anxiety shares the varied perspectives of artists who examine gendered embodiment, performance and self-representation on the internet.

The Museum of Rumour presents ongoing 'pataphysical research into the study of rumour.

WEB-ARTOMAT is a system for the automated production of art.

#0 Works and experiments with moving ASCII , ASCII audio, ASCII camera and such, are all directed towards conversions of contents between one media platform and an other, every time carefully direc

Everyone thinks about deleting their FB account at some point, it's a completely normal reaction to the overwhelming nature of digital culture.

In Bindigirl (1999), Prema Murthy represents herself as an Indian pinup girl in a critique of the Internet pornography industry and the Orientalism found in Asian pornography.

Requiem for a Dream: this is the website for the movie "Reguiem for a Dream". The site is mocking the screaming imagery of commercial websites.

This net.art project is a collaboration between Marina Roy, David Clark, and Graham Meisner.

A blog reconfigured as an interactive experience, Nobody Here. The viewer is invited to play, though the goofy fun of the inter

The Colliders: four women who met online in 2001 and formed the globally distributed cyberformance troupe Avatar Body Collision in April 2002.

gif_me_a_break is a web-work consisting of multiple versions of interactive, interlinked abstract and social commentary gif animations resulting in audio-visual noise drones.

Shu Lea Cheang’s BRANDON from 1998-99 is a recently conserved interactive journey that both reconstitutes and speculates upon an ‘all American’ road trip and is inspired by the tragic true story of