Mark Amerika—The renewable tradition (extended play remix)

Drawing from a network of appropriation artists, process philosophers, performance poets, pla(y)giarists, and other remix provocateurs, this experimental artist essay investigates the act of remixologically inhabiting the body language of others and, in the process, devises an aesthetic theory that situates the contemporary artist as a "postproduction medium" whose methodologies further extend avant-garde practice into the 21st century.

Read the article on Fibreculture