The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

Ghost City

Ghost City is a website that was begun in 1997. It is a virtual city that has become an archive of changing web technologies.

Human Readable Messages Mezangelle

Mez Breeze developed, and continues to write in, the hybrid language mezangelle. Her unorthodox use of language demonstrates the ubiquity of digitization and the intersections of the digital and the real that are increasingly common in 21st century life.

Copies

"There was this art website called Hell.com that had no public access. In February ’99 Rhizome subscribers received an invitation and password to see the new exhibition.

NIESATT

NIESATT observes the obsessions and addictions to the digitalized world of people nowadays, having lost their connection to nature and becoming victims of them selfs for ignoring environmental and

Cameron’s World

“Cameron’s World,” built by Berlin-based designer Cameron Askin, is a frenetic web-collage created as “a love letter to the internet of old.” Divided into thematic rows of over 700 images Askin sou

Top 84 Ways of Going Greener at Home

In many of his works, Krassimir Terziev uses the language and technology of cinema and television to investigate and comment on how their shared visual culture shapes or affects our social and poli

Simulator

HTML-based work of a banal 'interactive' day. Building The Simulator is an attempt at accenting and exploring the edge between the simulacrum of the internet and banal physical existence.

Visualdata

Astonishing flash visuals by Ronald Wisse, a dutch digital creative operating under the name visualdata since 1998.

Mazecorp

Mazecorp \Since 1999, the work titled "Mazecorps" is reflecting a maze-like construction which refers to the possible relationships between cinema, poestry, and networking.